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            <title>Jean Detheux&#039;s Posts - The Visual Music Village</title>
            <link rel="self" href="http://visualmusic.ning.com/profiles/blog/feed?user=JeanD2&amp;xn_auth=no"/>
            <updated>2026-04-05T02:50:32Z</updated>
                            <author>
                    <name>Jean Detheux</name>
                    <uri>http://visualmusic.ning.com/profile/JeanDetheux</uri>
                </author>
                <icon>http://storage.ning.com/topology/rest/1.0/file/get/1958676902?profile=RESIZE_48X48&amp;width=48&amp;height=48&amp;crop=1%3A1</icon>
                        <id>http://visualmusic.ning.com/profiles/blog/feed?user=JeanD2&amp;xn_auth=no</id>
                            <entry>
                    <title>10 years already!</title>
                    <link rel="alternate" href="http://visualmusic.ning.com/xn/detail/2232935:BlogPost:88345"/>
                                        <id>tag:visualmusic.ning.com,2017-11-04:2232935:BlogPost:88345</id>
                                        <updated>2017-11-04T19:03:44.000Z</updated>
                    
                                            <author>
                            <name>Jean Detheux</name>
                            <uri>http://visualmusic.ning.com/profile/JeanDetheux</uri>
                        </author>
                    
                    <summary type="html">
                        &lt;p&gt;November 2017 marks the tenth anniversary of the start of my collaboration with the immense Italian harpsichordist &lt;strong&gt;&lt;a href=&quot;http://www.paolaerdas.it/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Paola Erdas&lt;/a&gt;&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;We have made quite a &lt;strong&gt;&lt;a href=&quot;https://vimeo.com/album/2985377&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;collection of movies&lt;/a&gt;&lt;/strong&gt; together since, and we are likely to do live concerts very soon, in Trieste, Italy.&lt;/p&gt;
&lt;p&gt;Several of our movies have been selected by…&lt;/p&gt;                    </summary>

                    <content type="html">
&lt;p&gt;November 2017 marks the tenth anniversary of the start of my collaboration with the immense Italian harpsichordist &lt;strong&gt;&lt;a rel=&quot;nofollow&quot; href=&quot;http://www.paolaerdas.it/&quot; target=&quot;_blank&quot;&gt;Paola Erdas&lt;/a&gt;&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;We have made quite a &lt;strong&gt;&lt;a rel=&quot;nofollow&quot; href=&quot;https://vimeo.com/album/2985377&quot; target=&quot;_blank&quot;&gt;collection of movies&lt;/a&gt;&lt;/strong&gt; together since, and we are likely to do live concerts very soon, in Trieste, Italy.&lt;/p&gt;
&lt;p&gt;Several of our movies have been selected by various festivals, I had the privilege to see some of them on the big screen, always a treat.&lt;/p&gt;
&lt;p&gt;Here is our very first movie, still one of my favourites, and the movie amongst my many which receives the most visits on Vimeo: &lt;strong&gt;&lt;a rel=&quot;nofollow&quot; href=&quot;https://vimeo.com/9578954&quot; target=&quot;_blank&quot;&gt;La Folia&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Here are a few frames puled from that movie, there’s an album with more &lt;strong&gt;&lt;a rel=&quot;nofollow&quot; href=&quot;http://www.tinyurl.com/y8xntyvj&quot; target=&quot;_blank&quot;&gt;here&lt;/a&gt;&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975739892?profile=original&quot; target=&quot;_self&quot;&gt;&lt;img width=&quot;750&quot; src=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975739892?profile=RESIZE_1024x1024&quot; width=&quot;750&quot; class=&quot;align-full&quot;/&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975740790?profile=original&quot; target=&quot;_self&quot;&gt;&lt;img width=&quot;750&quot; src=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975740790?profile=RESIZE_1024x1024&quot; width=&quot;750&quot; class=&quot;align-full&quot;/&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975740978?profile=original&quot; target=&quot;_self&quot;&gt;&lt;img width=&quot;750&quot; src=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975740978?profile=RESIZE_1024x1024&quot; width=&quot;750&quot; class=&quot;align-full&quot;/&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975741130?profile=original&quot; target=&quot;_self&quot;&gt;&lt;img width=&quot;750&quot; src=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975741130?profile=RESIZE_1024x1024&quot; width=&quot;750&quot; class=&quot;align-full&quot;/&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975742840?profile=original&quot; target=&quot;_self&quot;&gt;&lt;img width=&quot;750&quot; src=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975742840?profile=RESIZE_1024x1024&quot; width=&quot;750&quot; class=&quot;align-full&quot;/&gt;&lt;/a&gt;&lt;/p&gt;</content>
<category term="United States" />

                                    </entry>
                            <entry>
                    <title>Master Baffler: How Philip Guston Gave Form to Doubt</title>
                    <link rel="alternate" href="http://visualmusic.ning.com/xn/detail/2232935:BlogPost:87942"/>
                                        <id>tag:visualmusic.ning.com,2017-10-27:2232935:BlogPost:87942</id>
                                        <updated>2017-10-27T17:14:38.000Z</updated>
                    
                                            <author>
                            <name>Jean Detheux</name>
                            <uri>http://visualmusic.ning.com/profile/JeanDetheux</uri>
                        </author>
                    
                    <summary type="html">
                        &lt;p&gt;&lt;span&gt;“Paul Valery once said that a bad poem is one that vanishes into meaning,” Philip Guston told an interviewer in 1966, adding, “In a painting in which this is a room, this is a chair, this is a head, the imagery does not exist — it vanishes into recognition…. I want my work to include more.”&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Read the full article …&lt;/span&gt;&lt;/p&gt;                    </summary>

                    <content type="html">
&lt;p&gt;&lt;span&gt;“Paul Valery once said that a bad poem is one that vanishes into meaning,” Philip Guston told an interviewer in 1966, adding, “In a painting in which this is a room, this is a chair, this is a head, the imagery does not exist — it vanishes into recognition…. I want my work to include more.”&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Read the full article &lt;strong&gt;&lt;a href=&quot;https://www.villagevoice.com/2016/05/17/master-baffler-how-philip-guston-gave-form-to-doubt/&quot; target=&quot;_blank&quot;&gt;here&lt;/a&gt;&lt;/strong&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;a href=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975739577?profile=original&quot; target=&quot;_self&quot;&gt;&lt;img width=&quot;750&quot; src=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975739577?profile=RESIZE_1024x1024&quot; width=&quot;750&quot; class=&quot;align-left&quot;/&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</content>
<category term="United States" />

                                    </entry>
                            <entry>
                    <title>Drawing, a fast disappearing art form.</title>
                    <link rel="alternate" href="http://visualmusic.ning.com/xn/detail/2232935:BlogPost:81506"/>
                                        <id>tag:visualmusic.ning.com,2016-07-17:2232935:BlogPost:81506</id>
                                        <updated>2016-07-17T20:00:00.000Z</updated>
                    
                                            <author>
                            <name>Jean Detheux</name>
                            <uri>http://visualmusic.ning.com/profile/JeanDetheux</uri>
                        </author>
                    
                    <summary type="html">
                        &lt;p&gt;&lt;span class=&quot;font-size-2&quot;&gt;My latest article has recently been published by the Society for Animation Studies, it was also printed in the Melbourne International Animation Festival catalogue which was held a few weeks ago.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class=&quot;font-size-2&quot;&gt;It examines important “steps” in the genesis of an image, and it offers avenues to explore to people who either have approached drawing superficially, or only know the “procedural&quot; aspect of digital art.…&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;                    </summary>

                    <content type="html">
&lt;p&gt;&lt;span class=&quot;font-size-2&quot;&gt;My latest article has recently been published by the Society for Animation Studies, it was also printed in the Melbourne International Animation Festival catalogue which was held a few weeks ago.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class=&quot;font-size-2&quot;&gt;It examines important “steps” in the genesis of an image, and it offers avenues to explore to people who either have approached drawing superficially, or only know the “procedural&quot; aspect of digital art.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class=&quot;font-size-2&quot;&gt;It also touches on an essential distinction beetween two kinds of abstraction: the “fabricated” type (lots of that around), and the one that takes its source in one’s experience of &quot;the real,&quot; an abstraction that is revealed when one can &quot;see without knowing” (“what do I see before knowing what it is I am looking at?”).&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class=&quot;font-size-2&quot;&gt;I will explore those two types of abstraction more in depth in another paper, but for now here’s the one on &lt;strong&gt;&lt;a href=&quot;https://blog.animationstudies.org/?p=1515&quot; target=&quot;_blank&quot;&gt;“Black &amp;amp; white, the most direct way to making the visible visible.&quot;&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class=&quot;font-size-3&quot;&gt;&lt;strong&gt;&lt;a href=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975737837?profile=original&quot; target=&quot;_self&quot;&gt;&lt;img width=&quot;750&quot; src=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975737837?profile=RESIZE_1024x1024&quot; width=&quot;750&quot; class=&quot;align-full&quot;/&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;</content>
<category term="United States" />

                                    </entry>
                            <entry>
                    <title>New album on Vimeo: &quot;Mostly with piano(s) (and pianists)&quot;</title>
                    <link rel="alternate" href="http://visualmusic.ning.com/xn/detail/2232935:BlogPost:81140"/>
                                        <id>tag:visualmusic.ning.com,2016-04-13:2232935:BlogPost:81140</id>
                                        <updated>2016-04-13T17:00:00.000Z</updated>
                    
                                            <author>
                            <name>Jean Detheux</name>
                            <uri>http://visualmusic.ning.com/profile/JeanDetheux</uri>
                        </author>
                    
                    <summary type="html">
                        &lt;p&gt;Here’s a collection of favourite pieces of mine done in collaboration with some remarkable musicians, pianists, yes, but most of them composers as well: &lt;a href=&quot;https://vimeo.com/album/3899521&quot; style=&quot;font-size: 12pt;&quot; target=&quot;_blank&quot;&gt;Mostly with piano(s) (and pianists)…&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class=&quot;font-size-4&quot;&gt;&lt;a href=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975738680?profile=original&quot; target=&quot;_self&quot;&gt;&lt;img class=&quot;align-full&quot; src=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975738680?profile=RESIZE_1024x1024&quot; width=&quot;750&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;                    </summary>

                    <content type="html">
&lt;p&gt;Here’s a collection of favourite pieces of mine done in collaboration with some remarkable musicians, pianists, yes, but most of them composers as well: &lt;a href=&quot;https://vimeo.com/album/3899521&quot; target=&quot;_blank&quot; style=&quot;font-size: 12pt;&quot;&gt;Mostly with piano(s) (and pianists)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class=&quot;font-size-4&quot;&gt;&lt;a href=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975738680?profile=original&quot; target=&quot;_self&quot;&gt;&lt;img width=&quot;750&quot; src=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975738680?profile=RESIZE_1024x1024&quot; width=&quot;750&quot; class=&quot;align-full&quot;/&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</content>
<category term="United States" />

                                    </entry>
                            <entry>
                    <title>Can (should) Animation reach beyond the “entertainment dependency?”</title>
                    <link rel="alternate" href="http://visualmusic.ning.com/xn/detail/2232935:BlogPost:77476"/>
                                        <id>tag:visualmusic.ning.com,2015-02-19:2232935:BlogPost:77476</id>
                                        <updated>2015-02-19T15:13:30.000Z</updated>
                    
                                            <author>
                            <name>Jean Detheux</name>
                            <uri>http://visualmusic.ning.com/profile/JeanDetheux</uri>
                        </author>
                    
                    <summary type="html">
                        &lt;p&gt;Here’s my third blog entry at Animation Studies, it has a lot to do with the place of Visual Music (and Experimental/Abstract Animation) in the world of Animation festivals: &lt;a href=&quot;http://blog.animationstudies.org/?p=1052&quot; target=&quot;_blank&quot;&gt;http://blog.animationstudies.org/?p=1052…&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975736967?profile=original&quot; target=&quot;_self&quot;&gt;&lt;img class=&quot;align-full&quot; src=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975736967?profile=RESIZE_1024x1024&quot; width=&quot;750&quot;&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;                    </summary>

                    <content type="html">
&lt;p&gt;Here’s my third blog entry at Animation Studies, it has a lot to do with the place of Visual Music (and Experimental/Abstract Animation) in the world of Animation festivals: &lt;a href=&quot;http://blog.animationstudies.org/?p=1052&quot; target=&quot;_blank&quot;&gt;http://blog.animationstudies.org/?p=1052&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975736967?profile=original&quot; target=&quot;_self&quot;&gt;&lt;img width=&quot;750&quot; src=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975736967?profile=RESIZE_1024x1024&quot; width=&quot;750&quot; class=&quot;align-full&quot;/&gt;&lt;/a&gt;&lt;/p&gt;</content>
<category term="United States" />

                                    </entry>
                            <entry>
                    <title>“Unless it grows out of yourself, no knowledge is really yours, it is only a borrowed plumage.” (D.T. Suzuki)</title>
                    <link rel="alternate" href="http://visualmusic.ning.com/xn/detail/2232935:BlogPost:68989"/>
                                        <id>tag:visualmusic.ning.com,2014-02-13:2232935:BlogPost:68989</id>
                                        <updated>2014-02-13T14:25:30.000Z</updated>
                    
                                            <author>
                            <name>Jean Detheux</name>
                            <uri>http://visualmusic.ning.com/profile/JeanDetheux</uri>
                        </author>
                    
                    <summary type="html">
                        &lt;p&gt;Here&#039;s an article that points to something really basic, too often overlooked: &lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://blog.animationstudies.org/?p=680&quot; target=&quot;_blank&quot;&gt;&quot;James Ensor, Willem de Kooning, and “Visual Karaoke.”&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975736789?profile=original&quot; target=&quot;_self&quot;&gt;&lt;img width=&quot;750&quot; src=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975736789?profile=RESIZE_1024x1024&quot; width=&quot;750&quot; class=&quot;align-full&quot;/&gt;&lt;/a&gt;&lt;/p&gt;                    </summary>

                    <content type="html">
&lt;p&gt;Here&#039;s an article that points to something really basic, too often overlooked: &lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://blog.animationstudies.org/?p=680&quot; target=&quot;_blank&quot;&gt;&quot;James Ensor, Willem de Kooning, and “Visual Karaoke.”&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975736789?profile=original&quot; target=&quot;_self&quot;&gt;&lt;img width=&quot;750&quot; src=&quot;http://storage.ning.com/topology/rest/1.0/file/get/1975736789?profile=RESIZE_1024x1024&quot; width=&quot;750&quot; class=&quot;align-full&quot;/&gt;&lt;/a&gt;&lt;/p&gt;</content>
<category term="United States" />

                                    </entry>
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